book swap/sale

I’ve been complaining for years about how many books I have piled up in my house that I haven’t read yet. Well, in preparation for moving across town to a new apartment, I’ve pulled out a bunch of them that I’ve decided I can re-acquire or borrow if/when I get around to reading them. Please do me a favor and take some off of my hands!

The books I have for trade are listed on PaperBackSwap, so they’re only available in the US. I thought about listing them on BookMooch, which is international, but I have a pile of credits over there and almost never get a book coming to me, whereas with PBS, I seem to have more luck.

The books I have for sale are listed on Half and Amazon, but you’ll get a better deal by purchasing them through Half. Two reasons: I priced them lower there because I get about $0.50 more per book due to different fee structures, and you save on shipping if you buy more than one, which Amazon does not do.

Finally, I have some BookCrossing books that I need to, um, bookcross. If you’d like any of them, please let me know and maybe we can work something out.

IL2009: Mashups for Library Data

Speakers: Nicole Engard

Mashups are easy ways to provide better services for our patrons. They add value to our websites and catalogs. They promote our services in the places our patrons frequent. And, it’s a learning experience.

We need to ask our vendors for APIs. We’re putting data into our systems, so we should be able to get it out. Take that data and mash it up with popular web services using RSS feeds.

Yahoo Pipes allows you to pull in many sources of data and mix it up to create something new with a clean, flow chart like interface. Don’t give up after your first try. Jody Fagan wrote an article in Computers in Libraries that inspired Engard to go back and try again.

Reading Radar takes the NYT Bestseller lists and merges it with data from Amazon to display more than just sales information (ratings, summaries, etc.). You could do that, but instead of having users go buy the book, link it to your library catalog. The New York Times has opened up a tremendous amount of content via APIs.

Bike Tours in CA is a mashup of Google Maps and ride data. Trulia, Zillow, and HousingMaps use a variety of sources to map real estate information. This We Know pulls in all sorts of government data about a location. Find more mashups at ProgrammableWeb.

What mashups should libraries be doing? First off, if you have multiple branches, create a Google Maps mashup of library locations. Share images of your collection on Flickr and pull that into your website (see Access Ceramics), letting Flickr do the heavy lifting of resizing the images and pulling content out via machine tags. Delicious provides many options for creating dynamically updating lists with code snippets to embed them in your website.

OPAC mashups require APIs, preferably those that can generate JavaScript, and finally you’ll need a programmer if you can’t get the information out in a way you can easily use it. LexisNexis Academic, WorldCat, and LibraryThing all have APIs you can use.

Ideas from Librarians: Mashup travel data from circulation data and various travel sources to provide better patron services. Grab MARC location data to plot information on a map. Pull data about media collection and combine it with IMDB and other resources. Subject RSS feeds from all resources for current articles (could do that already with a collection of journals with RSS feeds and Yahoo Pipes).

Links and more at her book website.

#11

I’m Off Then: Losing and Finding Myself on the Camino de Santiago by Hape Kerkeling

I’ll bet you thought I forgot about this whole 50 books thing. No, it’s just that once again, my intentions are much more noble than reality. I have also been rather poor at reporting on the books I’ve read this year, but most of the time, I assume I’m the only one who really cares about all this, anyway.

#11 is I’m Off Then: Losing and Finding Myself on the Camino de Santiago by Hape Kerkeling, translated by Shelley Frisch. This one landed on my doorstep the other week as the latest in a slow trickle of review books coming in from Library Journal. (You can search for my recent reviews, if you’re so inclined.) A little uncertain about it at first, I quickly found myself lost in the story and read it cover to cover in one sitting.

Kerkeling is a German comedy performer of some renown. Not being up on my European comedians (aside from nearly memorizing all of Eddie Izzard’s routines on YouTube), I hadn’t heard of the fellow before this book. After failing to track down any recording of a performance in English or with subtitles, I gave up. Considering that my German linguistic skills are virtually nil, I’m not surprised I hadn’t heard of him before. (If you are interested, Amazon has a short interview with him in English.)

The book is essentially the diary he wrote while hiking the Camino de Santiago in 2001. It’s not strictly a recording of events and people from the pilgrimage, but the stories he tells about his background and prior experiences add import to the things that happen to him on the trail. By the end of the story, I felt as though Kerkeling was a long-lost friend with whom I had recently reunited over a cup of coffee. In many ways, this book reminded me of Kelly Winters’ Walking Home, and that is a good thing.

Pandora Town Hall (Richmond, VA)

Open question/answer forum with Tim Westergren, the founder of the Music Genome Project and Pandora Internet Radio.

June 29, 2009
approx 100 attending
free t-shirts! free burritos from Chipotle!

Tim Westergren, founder of Pandora

His original plan was to get in a car & drive across country to find local music to add to Pandora, but it wasn’t quite as romantic as he thought it would be. On the way home, he planned a meetup on the fly using the Pandora blog, and since then, whenever he visits a new city, he organizes get together like this one.

Tim is a Stanford graduate and a musician, although he didn’t study it specifically. He spent most of his 20s playing in bands, touring around the country, but not necessarily as a huge commercial success. It’s hard to get on the radio, and radio is the key to professional longevity. Eventually, he shifted to film score composition, which required him to analyze music and break it down into components that represent what is happening on the screen. This generated the idea of a musical genome.

The Music Genome Project was launched in 2000 with some seed money that lasted about a year. Eventually, they ran out of money and couldn’t pay their 45 employees. They tried several different ways to raise money, but nothing worked until some venture investors put money into it in 2004. At that point, they took the genome and repurposed it into a radio (Pandora) in 2005.

They have never advertised — it has all been word of mouth. They now add about 65,000 new listeners per day! They can see profitability on the horizon. Pandora is mainly advertising supported. The Amazon commissions provide a little income, but not as much as you might think they would.

There are about 75,000 artists on the site, and about 70% are not on a major label. The song selection is not based on popularity, like most radio, but rather on the elements of the songs and how they relate to what the user has selected.

Playlists are initially created by the song or artists musical proximity to begin with, and then is refined as the user thumbs up or down songs. Your thumbs up and down effect only the station you are listening to, and it effects whatever the rest of the playlist was going to be. They use the over-all audience feedback to adjust across the site, but it’s not as immediate or personalized.

They have had some trouble with royalties. They pay both publishing and performer royalties per song. They operate under the DMCA, including the royalty structure. Every five years, a committee determines what the rate will be for the next year. In July 2007, the committee decided to triple the ratings and made it retroactive. It essentially bankrupted the company.

Pandora called upon the listeners to help them by contacting their congressional representative to voice opposition to the decision. Congress received 400,000 faxes in three days, breaking the structure on the Hill for a week! Their phones were ringing all day long! Eventually, they contacted Pandora to make it stop. They are now finishing up what needs to be done to bring the royalty back to something more reasonable. (Virtually all the staffers on Capitol Hill are Pandora users — made it easy to get appointments with congress members.)

Music comes to Pandora from a variety of sources. They get a pile of physical and virtual submissions from artists. They also pay attention to searches that don’t result in anything in their catalog, as well as explicit suggestions from listeners.

They have a plan to offer musicians incentives to participate. For example, if someone thumbs up something, there would be a pop-up that suggest checking out a similar (or the same) band that is playing locally. Most of the room would opt into emails that let them know when bands they like are coming to town. Musicians could see what songs are being thumbed up or down and where the listeners are located.

Listener suggestion: on the similar artists pages, provide more immediate sampling of recommendations.

What is the cataloging backlog? It takes about 8-10 weeks, and only about 30% of what is submitted makes it in. They select based on quality: for what a song is trying to do, does it do it well? They know when they’ve made a wrong decision if they don’t include something and a bunch of people search for it.

Pandora is not legal outside of the US, but many international users fake US zip codes. However, in order to avoid lawsuits, they started blocking by IP. As soon as they implemented IP blocking, they received a flood of messages, including one from a town that would have “Pandora night” at a local club. (The Department of Defense called up and asked them to block military IP ranges because Pandora was hogging the bandwidth!)

Why are some songs quieter than others? Tell them. They should be correcting for that.

The music genome is used by a lot of scorers and concert promoters to find artists and songs that are similar to the ones they want.

Could the users be allowed more granular ratings rather than thumbing up or down whole songs? About a third of the room would be interested in that.

Mobile device users are seeing fewer advertisements, and one listener is concerned that this will impact revenue. Between the iPhone, the Blackberry, and the Palm Pre, they have about 45,000 listeners on mobile devices. This is important to them, because these devices will be how Pandora will get into listener’s cars. And, in actuality, mobile listeners interact with advertisements four times as much as web listeners.

Tim thinks that eventually Pandora will host local radio. I’m not so sure how that would work.

Subscription Pandora is 192kbps, which sounds pretty good (and it comes with a desktop application). It’s not likely to get to audiophile level until the pipes are big enough to handle the bandwidth.

Variety and repetition is their biggest areas where they get feedback from listeners. The best way to get variety is to add different artists. If you thumb down an artist three times, they should be removed from the station.

They stream about 1/3 of the data that YouTube streams daily, with around 100 servers. Tim is not intimately familiar with the tech that goes into make Pandora work.

[The questions kept coming, but I couldn’t stay any longer, unfortunately. If you have a chance to attend a Pandora Town Hall, do it!]

Kindle 2 is kind of cool, actually

I’m not going to gush about how I fell in love with the device, because I didn’t.

My library (as in, the library where I work) has the good fortune of being blessed with both funds and leadership that allow us to experiment with some emerging technologies. When Amazon released the first version of the Kindle, we purchased one to experiment with. It was simply the latest in a long history of ebook readers that we had hoped to be able to incorporate into the library’s function on campus.

I took a turn at using the Kindle, and I was mightily unimpressed. The interface seemed very clunky, to the point of preventing me from getting into the book I tried to read. When the Kindle 2 was released and we received permission to purchase one, I was skeptical that it would be any better, but I still signed up for my turn at using it.

Last week, I was given the Kindle 2, and since it already had a book on it that I was half-way through reading, I figured I would start there. However, I was not highly motivated to make the time for it. Yesterday afternoon, I took the train up to DC, returning this morning. Four hours round trip, plus the extra time spent waiting at each station, gave me plenty of time to finish my book, so I brought the Kindle 2 with me.

I’m not going to gush about how I fell in love with the device, because I didn’t. However, I finished the book with ease before I arrived in DC, and out of shear boredom I pulled down a copy of another book that was already purchased on our library account. I was pleasantly surprised by how easy it was to go from one book to another without having to lug along several selections from my library “just in case” I ran out of something to read.

Right now, I’m at least a third of the way in on the second book, and I plan to finish reading it on the Kindle 2.

I don’t think I’ll end up buying one anytime soon, particularly since I’ve put a stop to buying new books until I’ve read more of the ones I own. However, I have a better understanding of those Kindle enthusiasts who rave about having their entire library (and more) at their fingertips. It’s pretty handy if you’re someone who often has time to kill away from your library.

#19

I was doing so well on my 50 Book Challenge goal this year, and then the busyness of this past fall hit and I haven’t taken the time to read books. This one is in fact a book that I listened to rather than read, but I think that counts.
#19

Playing for Keeps by Mur Lafferty takes place in the near future. Set in an east coast city, the story revolves around the protagonist, Keepsie, and her relationship with the city’s protectors: genetically enhanced human superheroes. Unwillingly thrown in the middle of a conflict between the superheroes and the supervillains, Keepsie and her friends are forced to choose sides or make their own way with their collection of “useless” super powers. As it turns out, their powers are not as useless as they’ve been led to believe, and even the ability to control elevators comes in handy at one point. In the end, this is a story about using your gifts and abilities to the best you can, even when everyone around you believes they (and you) are worthless.

The book was originally released as a (free) serialized audio book, then as a (free) PDF download, and then finally in print (not free) through Lulu.com, before it was picked up and published by Swarm Press in August. Thanks to the efforts of many fans and supporters, the book hit #1 on the Science Fiction best seller list at Amazon the day it was released, even though it had been available in other formats for free. Aside from being a fun read, I think the story of it’s success is a nifty one and for me, added to my motivation to finally read the damn thing.

As a fan of Lafferty’s other works, I highly recommend that you also check out her other serialized fiction. Namely, the Heaven series.

LITA 2008: What is “Social Cataloging” and Why Should You Care?

“Having games in the library strikes me as being like having bocce in the frat house.”

Speaker: Tim Spalding, Founder of LibraryThing

“I have no practical advice for you, but I have inspiration and screen shots.” Such as, images from Dr. Horrible’s Sing-Along Blog and book pile photo submissions.

Social cataloging does not need to be defined. LibraryThing is a good example of social cataloging, but it’s not the only resource out there like that. (LibraryThing is now larger than the Library of Congress.) Good Reads focuses more on the social aspects, and Shelfari is being revived by Amazon. There are other sites like CiteULike and Last.fm that do social cataloging of things other than books.

Social cataloging explores the socialization. LibraryThing embraces the social and the digital because there is no physical aspect (except for what you have in your own collection).

Social cataloging ladder:

  • personal cataloging – your stuff
  • exhibitionism, voyeurism – about you and your stuff
  • self expression – book pile photos, reviews
  • implicit social cataloging – tag clouds on books that incorporate data from all owners, recommendations, connect with other owners of more obscure books
  • social networking – “friends” lists, users who share your books, groups
  • sharing – book covers of different editions, author photos
  • explicit social cataloging – work-level records (any title you would agree on at a cocktail party) for both books and authors, series data
  • collaborative cataloging – building the catalogs of famous dead people, developing an open-source alternative to Dewey

Regarding why Spalding felt it necessary to pull data from libraries and not just Amazon, he says, “Once you are over the age of 30 and you are not a Philistine, you have books that Amazon is not currently selling.”

Interesting factoid about how things are tagged on LibraryThing: LGBT and GLBT tags have two completely different lists of books.

Traditional cataloging is based on the physical form of cataloging with cards. It was too difficult to change subjects or to add weight to particular subjects because you couldn’t do that with physical cards. We need to get away from this now that we have all the flexibility of digital cataloging. Digital cataloging is social cataloging.

LibraryThing users are doing about 1,000 work combinations per day! Voluntarily! Experts on book topics are the ones pulling the data together, not experts on cataloging.

LibraryThing members figured out what books are on Dr. Horrible’s shelf based on a fuzzy still from the video. And then the guy who lives in the apartment where it was filmed corrected the editions listed.

There are many non-librarians who are passionate about books and classification. People care about libraries and library data.

On the other hand, we suck. Our catalogs are fundamentally not open to the web because our pages are often session-specific and not friendly to index spiders. Worldcat.org is getting fewer visitors, whereas Dogster.com is getting more.

Library 2.0 is in danger. Libraries are concentrating on what they can do, not what they can do best. We don’t need to have blogs or pages on Facebook. “Having games in the library strikes me as being like having bocce in the frat house.”

Do not pay anyone for Library 2.0 stuff. Do it yourself. OCLC is not yourself.

Or, pay Spalding for his 2.0 enhancements (LibraryThing for Libraries).

Social cataloging is about the catalog, about what you can do right now, about passion, and about giving (not taking).

thinking like a user, not a librarian

I should have know that this would be the slippery slope that lead to… a wishlist.

I did something today that was revolutionary. Well, for me, anyway. I tagged an album on RateYourMusic that I do not own, nor have I ever owned. I tagged an album for my wishlist.

I have been treating RateYourMusic as a LibraryThing for music, which it pretty much is, without all the flair and design and integration that LT currently provides. My personal rule (a.k.a. thinking like a librarian) was that I would “catalog” what I owned, not what I wanted or had previously owned. That’s how I roll over at LT, and for my book collection, it makes a lot of sense.

My music collection, however, is much more fluid. I’m less likely to hang on to a CD once I’ve grown tired of it, so I regularly trade out “old” albums for “new” ones. A while back I started tagging albums as “used to own” rather than completely de-accessioning them. Because I’m regularly acquiring new music, I need to know what I’ve already evaluated and passed on, and this is one way to do that.

I should have know that this would be the slippery slope that lead to… a wishlist. Sure, I have wishlists all over the place, from Amazon to the various swap sites I participate in. However, RateYourMusic is supposed to be a catalog, right? And a library catalog doesn’t have wishlist items, right? (Well, unless you count those books that never show up from the publisher/jobber/vendor.)

This is the point at which I stopped thinking like a librarian and started thinking like a user. Having a wishlist mixed in with my have and use-to-have lists means it’s all in one, indexed collection. It feels freeing to let go of the “rules” that keep me from using all of the tools available to me!

NASIG 2008: Information Shadows – Ubiquitous Computing Serializes Everyday Things

Presenter: Mike Kuniavsky

Thinks about how technology and people interact with each other, and how the technological side can be made more interesting or better for the user.

Ubiquitous computing was coined to describe computers that are woven into every day life to the extent that they are indistinguishable from it. The power of technology should not be limited to viewing the world through its limited frame.

When something is cheap, you can have more than one, and with specific and varied uses. This is also a way of thinking of computer and networking technology. When processors were expensive, they had to serve multiple uses. Now that processing power is cheap, we have a wide array of products with different functions which all use these inexpensive processors.

When machine read-able code is meshed with human interface devices such as mobile phones, we are able to deliver even more information than what can be put on the packaging. Metadata can be attached to anything!

When Amazon expanded ISBN to ASINs, it allowed anyone to point to the “handle” for any object sold by Amazon. We can now grab that handle and toss it around as we wish.

For Kuniavsky, a serial is an agreement between a consumer and a publisher who provides a particular type of information in the form of a soft-cover book that arrives regularly in the mail. The paper manifestation of the agreement is one way it is fulfilled, but it’s not the only way.

A time-share condo is like a journal. The form and usage period is fixed, and the occupants are variable. (In this case, it’s as though the time-share condo is subscribed to you.) You own the possibility of an object with some rights to it forever. A vacation club changes the dynamic to owning the right to request a class of things that changes in a way that is predictably different.

Until recently, the logistics of sharing objects has been complex, unless the people involved were highly motivated. Ubiquitous computing gives us the ability to track, trade, and share objects in a way we never could before. Bag Borrow or Steal is a designer bag sharing site. It’s sort of like Netflix for the fashion-obsessed purse fiends.

The trackable metadata of physical objects that allow them to be converted to subscriptions. Technology enables these relationships to be embedded and automated. We are shifting from the ownership of objects to access to them.

Technologists often leave out the information management aspects when talking about the wonders of technology. Librarians and information managers understand how to deal with the digital representations of physical objects. We need to think about how our can work apply to the serialization of everyday objects.

The world needs shadow wranglers.

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