Learning 2009: Image Resources for Teaching

Presenters: Jeannine Keefer and Crista LaPrade

Keefer provided the attendees with a brief overview of licensed images. Specifically, ArtStor and why it would be used in the classroom (mainly art historians). There are also many free or Creative Commons licensed resources for images:

  • Flickr – range from amateur to professional, free to fully copyrighted
  • Picasa – similar to Flickr, but less communal
  • Google Images – search across the web
  • Google Earth – geotagged photos for specific locations
  • Creative Commons – search across several sites
  • MorgueFile – stock photography
  • OpenPhoto – stock photography
  • TinEye – reverse image search engine for finding more like the one you have
  • Cooliris – browser plugin for quickly flipping through images on various sites
  • Social networks like Facebook & MySpace

LaPrade and Boatwright Library’s Digital Production Services does all of the digitization and scanning for the library as well as scanning for faculty who need to convert analog images to digital for non-art classroom purposes. Non-presentation uses for this service (ideas beyond PowerPoint) include creating reference posters for students and images supplementing faculty publications (within copyright). Unfortunately, faculty will have to find their own storage (DVDs, flash drives, etc.) and delivery options, as DPS currently does not have a server for storage and delivery.

There are many resources you could use to share images in the classroom, including Blackboard and ArtStor, but also free image storage/sharing resources or your own web pages or blog. However, there are several factors to consider, since these can also be tools for managing the images: purpose, platform, ownership, collection size, image manipulation, metadata, budget, tech support, data integrity, file types, and presentation tool. Some possible solutions include Adobe Bridge (with the full version of Photoshop), Extensis Portfolio, Flickr, and Picasa.

(Side note: I think that many of the folks in the room were expecting to have a discussion of how faculty are actually using images in their teaching, and perhaps less about the tools that can be used to do so.)

CIL 2009: New Strategies for Digital Natives

Speaker: Helene Blowers

Begins with a video of a 1yo. unlocking and starting up a Preschool Adventure game on an iPhone, and then paging through images in the photo gallery. Joey is a digital native and the future of library users.

Digital natives are those born after 1980. When they were 1, IBM distributed the first commercial PC. Cellular phones were introduced at the age of 3. By the time they were 14, the internet was born.

Web 1.0 was built on finding stuff, Web 2.0 was built on connecting with other users and share information. Digital natives are used to not only having access to the world through the internet, but also engaging with it.

Business Week categorized users by how they interact with the internet and their generation. This clearly lays out the differences between how the generations use this tool, and it should inform the way we approach library services to them.

Digital native realities:

  • Their identity online is the same as their in-person identity. They grew up with developing both at the same time, as oppose to those who came before. Facebook, MySpace, Twitter, Flixster, and LinkedIn are the top five online social networks, according to a report in January. How many of them do you have an identity in?
  • The ability to create and leave your imprint somewhere is important to digital natives. According to the Pew Internet & American Life, those who participate in social networks are more likely to create unique content than those who do not.
  • We are seeing a shift from controlled information to collaborative information, so digital information quality has become important and a personal responsibility to digital natives. After a study showed that Wikipedia was as accurate as Britannica resulted in EB adding a wiki layer to their online presence.
  • Digital natives have grown up in a world they believe to be safe, whether it is or not. Less than 0.08% of students say that they have met someone online without their parents knowledge, and about 65% say that they ignored or deleted strangers that tried to contact them online. However, that doesn’t stop them from intentionally crossing that line in order to rebel against rules.
  • Digital opportunity is huge. There are no barriers, the playing field has been leveled, access is universal, connection ubiquitous, and it’s all about me.
  • Digital sharing is okay. It’s just sharing. They aren’t concerned with copyright or ownership. Fanfic, mashups, remixes, parodies… Creative Commons has changed the way we look at ownership and copyright online.
  • Privacy online and in their social networks is not much of a concern. Life streams aggregate content from several social networks, providing the big picture of someone’s online life.
  • What you do online makes a difference — digital advocacy. This was clear during the US presidential election last year.

What does this mean for libraries? How do we use this to support the information needs of our users?

Think about ways to engage with virtual users — what strategies do we need in order to connect library staff and services with users in meaningful ways? Think about ways to enrich the online experience of users that then enhances their experiences in the physical library and their daily lives. Think about ways to empower customers to personalize and add value to their library experience so that they feel good about themselves and their community.

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