random musings from a serialist
A couple weeks ago I gave a presentation on our ERMS implementation at the annual meeting of the Potomac Technical & Processing Librarians. It was a great honor to be asked to present along with a panel of other librarians talking about their ERMS. It was also the longest I’ve been asked to speak, and while a completely nerve-wracking experience internally, it seemed to have been well-received. If you are interested, my notes and slides are now available on SlideShare.
October was a busy month for me. I went to my college reunion, battled with a cold and lower back pain, and attended a professional conference. The end result of this is that I didn’t do as much reviewing as I had planned on, and now I’m having to play catch-up. Expect to see a longer list for November, but for now, I give you:
Jessie Baylin – Firesight
The arrangements and production work on Firesight are both so well done that one hardly notices them. It’s simply a collection of good tunes that flow together well with an appropriate balance between the lead vocals and everything else. This is essential to making the album work, as anything that stands out as too rough or too glossy would immediately break the mellow mood. [more]
Theresa Andersson – Hummingbird Go!
It took a few listens before I began to appreciate the complexity and depth of Andersson’s music. It’s quirky and a bit more subdued that the assortment of rock-tinged pop that tends to be on regular rotation in my house. Putting away all other distractions and focusing on the album alone, I was able to hear the energy and drive of her performance that was not as apparent when approaching the recording casually. Andersson’s creative use of unorthodox instrumentation and unexpected arrangements need the listener’s full attention to be appreciated. [more]
Click and Clack’s As the Wrench Turns
If the creators of Click & Clack were looking to achieve the success of shows like The Simpsons or The Family Guy, they have a great deal of room for improvement. Click & Clack: As the Wrench Turns may be enjoyed in small doses, but I would not recommend buying or renting this DVD unless you are a consummate NPR/PBS fan who must acquire everything put out by those media companies. [more]
Awake, My Soul – The Original Soundtrack / Help Me to Sing – Songs of the Sacred Harp
With the release of the two-disc soundtrack, we are treated with the full recordings of the songs referenced in the documentary, including the solfège – singing the song with the names of the notes rather than the words in order to learn the music. The second disc of the set features 20 renditions of Sacred Harp tunes by a diverse group of folk and pop performers. The set is treated as two different albums, each with its own title. [more]
Agatha Christie: Mystery Lover’s Collection
Although the box is given a distinctive design and theme, the contents are clearly pulled from the various sets and single releases previously made available by Acorn Media. It’s a little disappointing that they did not change the packaging of the contents to match, rather than making it appear to be an assortment of remainders marketed as something new. Luckily, it’s the contents that matter more than the packaging. [more]
Hey, there. I know it’s been a long time since we’ve seen each other, but I want to you know that I’ve been thinking about you while we’ve been apart. I’ve had a busy schedule this past month, and it has kept me away from you, at least in this forum, and I want you to know that I have missed you very much. I hope you can forgive me for being away so long.
Anyway, I wanted to share some of the things that I have written for Blogcritics in recent months:
The World Is Your Litter Box: A How-to Manual for Cats
This book is by no means a serious psychological study of cat behavior or cat-human relationships, but it does provide some insight into the latter. The main thing I took away from this book is that no matter what cats do to irritate humans, most of us easily melt into a puddle of mush when our pets show affection. Think of how much calmer rush hour could be if we all had a purring cat in our laps? [more]
Amy Ray – Didn’t It Feel Kinder
Even though Ray worked with some of the same musicians on Didn’t It Feel Kinder as she did for Stag and Prom, this album has a completely different feel to it. The message is the same, but the medium has shifted. Fans expecting a punk rock album may be disappointed, but I think that Didn’t It Feel Kinder will find its audience among listeners who enjoy the message as much as the medium. [more]
Alū – Lobotomy Sessions
Each of the ten tracks are what some have described as “cinematic soundscapes.” Think of them as an art house film told in three to five minutes. Horror, science fiction, political commentary, drama… whatever your movie type of choice, there is likely to be a track on this album that draws on elements of it. It’s a veritable film festival of sound. [more]
Uh Huh Her – Common Reaction
…don’t go looking for much depth in the lyrics. Although the insert devotes a full six panels to the poetry, it’s by far the weakest aspect of the album. Some of the more uninspired lines are held up quite well with the musical arrangements, so unless you’re paying close attention, you’ll be too distracted by the beats and melody to notice. In any case, it’s slightly better than the drivel on Top 40 radio. [more]
Cordero – De Dónde Eres
Past albums have featured a mix of English- and Spanish-language songs, but regardless of the language of the lyrics, the message was frequently delivered in packages spiced with horns and beats that made it impossible to sit still. De Dónde Eres heightens the Latin rhythms, instrumentation, and mood. Alternating between contemplative, strident, and festive arrangements, the album and the band are unified by Ani’s passionate lyrics and delivery. [more]
Awake, My Soul: The Story of the Sacred Harp (Standard Edition)
Most likely, the audience that will pick up this DVD will already be familiar with shape note singing. However, I think that anyone interested in Early American music should also take the time to view it. The filmmakers, both Sacred Harp singers themselves, have created a piece of work that, much like shape note music itself, is simultaneously utilitarian and glorious. [more]
The Age of Rockets – Hannah
Hannah is designed to be a palindrome of an album. The first five songs reflect the last five songs, with the middle sixth track creating the pivot point. Listening to an album that is half-music, half-mathematical art piece can sometimes be disappointing, but despite (or because of) this structure, Hannah stands on its own as a cohesive and fun collection of delicately blended electronic/organic tunes. Honestly, I hardly noticed the relationship between the songs in the dozen or so times I have listened to this album over the past couple of months. [more]
It’s the Great Pumpkin, Charlie Brown
Until watching it again in this remastered deluxe edition, it had never occurred to me that the film has a structure that allows for that kind of repeat showings. Several of the characters refer to Linus’ past obsession with the Great Pumpkin, and the implication that the same thing happens every Halloween makes it easy to suspend disbelief and watch it anew every year as though you weren’t already familiar with the plot and events. Maybe, just maybe, this year things will be different and the Great Pumpkin will rise out of the patch! [more]
I’ve decided that one way I can keep this blog from being just a “look at my latest review/article on Blogcritics” blog would be to do monthly summaries rather than individual posts right after each article is published. Here’s the first installment.
Ladytron – Velocifero
The second track is the album’s lead single, “Ghost,” and it’s easy to hear why that was chosen. The song’s pulsating beat and repetitive chorus are addictive and likely to be club favorites. “I’m Not Scared” follows with a relentless grind and power rock chords that touches the musical soul and compels the listener to crank up the volume a little bit more. With the attitude and energy level of the album set within the first few tracks, the band takes a moment to give the listener a breather before launching back in with the electronic wave assault prevalent in most of the rest of the tracks.
Rosemary & Thyme – The Complete Series
An aspect of the show that I find very appealing is the relationship between Laura and Rosemary. Early on in the series, they addressed the social perception that the only reason why two grown women could care about each other is because they are romantically linked (“Arabica and the Early Spider”). With that bigoted and misguided stereotype thrown out the window, Ferris and Kendal set out to develop their character’s friendship to be something deeper and stronger than what is usually shown on an episodic dramedy television series. The interplay between the two went from merely comedic to the kind of inside joke humor that happens only between very close friends.
Jaymay – Autumn Fallin’
It’s difficult to peg this album into any particular genre. There are elements of folk, pop, and even touches of the wall-of-sound aspects of electronica, although no processors are used in the creation of the music. And, just when you think you’ve got a label, with gusto she throws in the ragtime-style song “Hard to Say.”
That’s all for now! As you can tell from my sidebar, I have a few items that I’ll be working on this next month, although one is for a print publication due out later this year or early next year.
My review of It’s the Easter Beagle, Charlie Brown (Remastered Deluxe Edition)
Part of what makes the Peanuts specials so timeless is their pacing and humor. There are many interludes that do not exist to further the plot, but frequently create a sense of joy through their simplicity.
My review of the documentary Darkon
The tagline for the documentary Darkon is, “Everybody Wants To Be a Hero,” which succinctly sums up the main message of this film about a group of people involved in the full contact, live-action role playing (LARP) wargame of the same name. As one of the players puts it, “If you could watch Brad Pitt or be Brad Pitt, which would you rather do?” For these Baltimore area gamers, the answer is easy — they would rather pretend to be the heroes they wish they were.
It’s been a while since I posted an update here of what I’ve been writing over at Blogcritics.org. Between moving and the holidays, I’ve fallen far behind on many things, not to mention writing (or even writing about writing, as the case may be). Here are the handful of recent reviews:
Yenne has written an engaging book that is accessible even to the pedestrian beer drinker. His research is thorough, and the bibliography at the end of the book has a few titles that caught my eye as potential future reads. [more]
The film quality and editing rides the line between a PBS TV concert and a big-screen hyper-reality, with long cuts and minimal camera movement. In the end, it has more of an “I was at a concert” feel than the audio recording from a different show, mainly because of the aforementioned between song banter that was left in the video and removed from the CD. [more]
The skatepunk sound found on Leiana’s second full-length, No Going Back, feels as comfortable to me as an old pair of jeans, and I think most of that has to do with the distorted crunch of Chuck Treece’s guitar riffs and the straight-ahead drumming. It’s a little bit retro, while remaining modern and fresh. [more]
Over the years, I have purchased a variety of FM transmitters in the hopes that they will transfer the sound from my digital devices to my car stereo better than cassette adapters. In general, I have not spent more than $30-40 on these devices, and in the end, I was unsatisfied with them. Recently, I was given the opportunity to test Macally’s BTCUP for iPod, and I was suitably impressed with the device. [more]
I have to agree with Philip: I hate Las Vegas.
The BlogWorld Expo in Las Vegas was tons of fun. My liver is fine, but my heart is a little sad for having to say goodbye to my fellow Blogcritics editors until next time. It was wonderful to meet everyone and to get a chance to just be with each other. It’s amazing how well such a diverse group of people can get along.
We definitely had one of the best booths there, thanks in part to the great swag, but also because of who was staffing it. Several people commented that we were more warm and friendly than the folks at other booths, and Pete from the Planetary Group kept coming back just to hang out because he enjoyed being with us. I think we will have quite a few new writers joining soon, particularly now that they know we do critical reviews of all sorts of stuff, not just blogs.
The panel I was on was fun and informative, and I think in the end, beneficial to us because it helped us define what makes for a good review for a variety of styles and formats. I wish we could have had a larger audience, but all things considered, we did pretty well. I understand we had good representation on several other panels, and there were several folks who stopped by the booth after hearing one of our Politics section editors speak on a political panel.
The only down side to the whole event was the location. I’d never been to Las Vegas before (besides the 30min or so I spent in the airport on a layover one time), so I wasn’t quite sure what to expect. Now that I know, I’m fairly certain that the only thing that would get me to go back would be my Blogcritics pals or some other conference.
Anyway. Here are some reviews I’ve written recently for BC Magazine:
Wishing Chair – Folk and Roll: Live in Austin [full review]
[This album] has a little bit of something for everyone. From newer arrangements of old favorites to brand new songs, the album straddles the line between being a best-of compilation and something fresh and different.
The Best of the Colbert Report [full review]
This collection is sure to please fans, although some will be disappointed that even with nearly three hours of content, a few of their favorite segments will have been left out of the collection. For viewers who have not yet caught on to the show, this collection is a good introduction; however, I recommend watching it only a little at a time in order to build up a tolerance.
Jim Bianco / Jenny Owen Youngs / Sean Hayes – High Dive – Seattle, WA – 11/12/2007 [full review]
Prior to the concert, I had not listened to any of the acts, and had only a passing familiarity with their names. Probably not the best example of research, but I went with an open mind and low expectations. In some cases, those expectations were exceeded far beyond my imagination, and in others, not so much.
My review of Agatha Christie’s Marple: Series 3 was published on Blogcritics. Go read it and find out why I’ve spent the past month re-reading the books.
My review of Agatha Christie’s Marple: Series 3 was published on Blogcritics. Go read it and find out why I’ve spent the past month re-reading the books.
The band reunited in 2000 and recorded this live show. Now fans can finally get a copy of it.
My review of The Bangles’ Return to Bangleonia: Live in Concert has been published on Blogcritics.org. I had a lot of fun watching it last weekend. Everyone should get it, if just to listen to the commentary track.
As a child of the ’80s, my experiences with The Bangles’ music were very superficial. I remembered hits like “Walk Like an Egyptian” and “Manic Monday,” but I had no context for them in the broad swath of The Bangles’ repertoire. In fact, it was while watching the DVD that I first heard the term “paisley underground” to describe the 60’s influenced jangle pop garage band sound of the music scene the band was a part of in Los Angeles. Along with being entertaining, Return to Bangleonia: Live in Concert is also educational.
