penny loafers – quicksand

A cappella arrangements that are so good they make me want to listen to Coldplay, among others.

One of the things that continue to draw me to a cappella music is the intimacy it conveys. The voice is not hidden behind instrumentation or electronic trickery. It is left exposed in front for the world to hear.

The same is true with a cappella covers of songs that originally used modern instrumentation. Even when the choir of voices behind the lead singer is replicating the instruments and percussion of the original, the lead voice remains bare. Sometimes it takes that bare intimacy for me to realize just how good a song is.

I first had an inkling of this when I heard folk singer/songwriter Rose Polenzani do a cover of Whitesnake's "Here I Go Again" some years ago at a live show. I never liked the song as much as I did after I heard her version of it. The same thing happened when I heard the University of Pennsylvania Penny Loafers' a cappella cover of The Postal Service's "Such Great Heights" last year. Their cover made me give the song and the band a second listen, and now I'm hooked on The Postal Service.

Given all that, it was with eager anticipation that I hit the play button for the first track of the Penny Loafer's new album, Quicksand. Quicksand album coverOnce again, I was both surprised and pleased by how much I enjoy their versions of modern pop radio songs I never would listen to in their original incarnations.

"Swallowed in the Sea" (Coldplay) is a prime example of this. I cannot stand to listen to Coldplay. Maybe they are more interesting now, but their first hit single in the US was so dreary that I was immediately turned off and have not bothered to listen to them since then. However, Sam Cohn's a cappella arrangement and performance as lead vocal has made me think I should try them again. The song has a hint of folk to it, as if it had a history in an old English seaport.

Except for Sia's "Breathe Me" and Amiee Mann's "Humpty Dumpty," all of the songs on Quicksand are new to me. Those two are arranged close to the originals, as far as I can tell, and I can only expect the same is true of the rest of the album. The group has over a dozen arrangers represented on this album, and despite that they have kept the quality consistent. There is not a track on the album that stood out either positively or negatively.

A cappella purists might quibble over the obvious studio tweaking on the recording. There are a few places that stand out as examples of what the human voice cannot do without some digital augmentation. Even so, the quality of the recording is still impressive. The Penny Loafers have followed up Side A with another fine collection of a cappella tunes.

The Penny Loafers CDs (all eight of them) are available only on their website or a few online a cappella distributors. You can preview and download individual tracks or entire albums from acaTunes.

cowboys and cattlemen – how do!

Country never rocked this hard.

by Me First and the Gimme Gimmes

Me First and the Gimme Gimmes have been putting the “oy” in a wide variety of hit songs since 1995. The band straddles the line between being a novelty act and true rock professionals, all with a grin and a good sense of taste. They have given the punk treatment to everything from show tunes to surf-rock to R&B, and now they’re showing listeners how much they Love Their Country.

The album begins with a treatment of “Much Too Young (To Feel This Damn Old)” that stays fairly true to Garth Brooks’ original. The listener is momentarily confused and dismayed that perhaps Me First and the Gimme Gimmes have lost their touch. Fear not, for as the first chorus rolls around, the punk kicks in and begins the wild twenty-five minute ride through twelve of Country Music’s top hits.

One unexpected and beautifully incorporated element on the album are the bagpipes on Hank Williams’ “I’m So Lonesome I Could Cry.” They mesh effortlessly with the crunch of the electric guitars and enhance the vocal slides are distinctive to that style of music, which lead singer Spike pulls off quite well.

The inclusion of the Dixie Chicks’ “Goodbye Earl” is a treat. Although the original was styled as a country song, it already had a punk attitude that lends itself to the new arrangement. Someone has even gone and created an edited video with the Gimme Gimmes’ version of the song overlaying the original images.

Love Their Country is an entertaining album. It isn’t particularly groundbreaking or monumental, and neither is it intended to be. Me First and the Gimme Gimmes have accomplished what they set out for: a collection of country covers that anyone with a bit of punk in their soul can enjoy.

Me First And The Gimme Gimmes Ho Down