Officially, my title is Electronic Resources Librarian, but lately I’ve been spending more of my time and energy on gathering and crunching data about our eresources than on anything else. It’s starting to bleed over into the print world, as well. Since we don’t have someone dedicated to managing our print journals, I’ve taken on the responsibility of directing discussions about their future, as well as gathering and providing e-only options to the selectors.
I like this work, but I’ve also been feeling a bit like my role is evolving and changing in ways I’m not entirely cognizant of, and that worries me. I came into this job without clear direction and made it my own, and even though I have a department head now, I still often feel like I’m the driver. This has both positives and negatives, and lately I’ve been wishing I could have more outside direction, in part so I don’t feel so much like I’m doing things that may not have much value to the people for whom I am doing them.
However, on Monday, something clicked. A simple comment about using SAS to analyze the print book collection use over time set all sorts of things firing away in my head. About all I know with SAS is that it’s some sort of data analysis tool, but I realized that I had come up with several of my professional goals for the next year in that moment.
For one, I want to explore whether or not I can learn and use SAS (or SPSS) effectively to analyze our collections (not just print books, as in the example above). For another, I want to explore whether or not I can learn R to more effectively visualize the data I gather.
Maybe some day down the road my title won’t be Electronic Resources Librarian anymore. Maybe some day it will be Data-Crunching Librarian.
It’s 2011, and these are the albums of 2010 that I’m still listening to on a weekly basis.
I haven’t listened to every album that was released last year. Who has the time? I have, however, listened to quite a few of the 2010 releases over the year, both out of personal interest and for the local community radio station where I volunteer.
There were quite a few surprise favorites among the bunch. Surprise in that I didn’t expect I’d like them, much less become obsessed with them and continue to listen with great pleasure months later. So, with that, I bring you the top unexpected favorite album of 2010.
Released in the UK last year, the album made its way to US shores in February this year. I saw the press releases due to my work with Blogcritics, but nothing about them made me think this would be an album I’d enjoy. However, when I saw it on the “to be reviewed” shelf at the radio station in April, I gave it a cursory listen and decided it might be worth giving more attention.
Eight months later, I’m still listening to it, and count it among my go-to albums for when I need energy and a happy mood. Black has successfully melded synthpop, creative lyrical songwriting, and addictive hooks. This is no flash in the pan album/artist — there’s potential for longevity and continued freshness in Black’s sound.
Marina Diamandis released her debut album in March, but I didn’t notice it until a friend sent me a link to the video for “I Am Not a Robot.” This sparked my interest enough that when I had the opportunity to review it for the radio station, I gave it a few spins. It’s still spinning on regular rotation in my personal library now.
The album is chock full of pop hooks, delivered by a woman who’s vocal range and technique is impressive in this age of female pop stars who are more popular for their paparazzi photos than their musical talents. She frequently belts out higher notes that make my cats cringe when I attempt to sing along. Marina can hit them with ease. I cannot. This is probably why she’s a huge UK pop star and I’m some shmuck writing music reviews.
I can’t remember how I first ran across this album — whether it was one I picked to review for the radio station or one that a music director handed to me thinking I’d like it. Regardless, I found myself listening to Phantogram on repeat for a week or so in May, and few things will make me happy in the way I am when I hear the first few bars of “Mouthful of Diamonds.”
Sarah Barthel’s sweet and pure vocals are a nice balance to the rough (and often bizarre) vocal delivery from her partner, Josh Carter. The arrangements are a meld of synthpop, hip-hop, and singer/songwriter folk/pop. It’s similar to Dan Black, but a little more digitized and dirty.
Jennifer Knapp – Letting Go
I reviewed this for Blogcritics back in May, and you can read the full review if you like. In brief, this is her best album to date, and well deserving of a listen for anyone who enjoys thoughtful lyrics, strong female vocals, and music that straddles the line between acoustic and electric folk-pop.
The Like – Release Me
From what I understand, this is nothing like their earlier releases. The album has a 60’s girl-group sound with a modern attitude, similar to the Pipettes.
Indigo Girls – Staring Down the Brilliant Dream
Of course I have to include this in my list, but mostly because I’ve been a long-time fan of the group. This is a live album, and serves both as a gift to fans and as an excellent “best of” album to introduce the group to new listeners. I gave it a full review in August, if you’re interested in reading more.
Yolanda Be Cool & Dcup – “We No Speak Americano“
I discovered this song when a friend linked to a video created by Irish step dancers Suzanne Cleary & Peter Harding doing their hand dance to this track. I watched the video countless times before researching and discovering that the track is an international hit. Even without the hand dancing, it’s still one of my favorite dance tracks of 2010.
This live album includes many of the band’s popular tunes, and serves as a “best of” recording much better than any compilation of their past studio work could attempt to do, mainly because as precise and flawless as the studio recordings can be, they do not convey the energy contained in a live performance, which is a significant part of their appeal. [more]
…Duarte outlines the elements that make up an effective presentation design, and provides many real-world examples of these elements in action. She does not give too many details on specific tools and functions within particular slide presentation programs; instead, she provides the reader with the design theory needed to create an effective presentation. [more]
Beginning with the post-relationship celebrity breakdown of “So What,” P!nk tells stories of substance abuse, co-dependency, and emotional/physical abuse. Alternatively cursing her lover and also pleading with them to not leave, she explores the complexity that led to the broken ending that began the album. [more]
The visual enhancements, for the most part, are not noticeable unless one is obsessively familiar with every detail of the original format, and in most cases, they stand out only against scenes that did not clean up quite as well.
October was a busy month for me. I went to my college reunion, battled with a cold and lower back pain, and attended a professional conference. The end result of this is that I didn’t do as much reviewing as I had planned on, and now I’m having to play catch-up. Expect to see a longer list for November, but for now, I give you:
The arrangements and production work on Firesight are both so well done that one hardly notices them. It’s simply a collection of good tunes that flow together well with an appropriate balance between the lead vocals and everything else. This is essential to making the album work, as anything that stands out as too rough or too glossy would immediately break the mellow mood. [more]
It took a few listens before I began to appreciate the complexity and depth of Andersson’s music. It’s quirky and a bit more subdued that the assortment of rock-tinged pop that tends to be on regular rotation in my house. Putting away all other distractions and focusing on the album alone, I was able to hear the energy and drive of her performance that was not as apparent when approaching the recording casually. Andersson’s creative use of unorthodox instrumentation and unexpected arrangements need the listener’s full attention to be appreciated. [more]
If the creators of Click & Clack were looking to achieve the success of shows like The Simpsons or The Family Guy, they have a great deal of room for improvement. Click & Clack: As the Wrench Turns may be enjoyed in small doses, but I would not recommend buying or renting this DVD unless you are a consummate NPR/PBS fan who must acquire everything put out by those media companies. [more]
With the release of the two-disc soundtrack, we are treated with the full recordings of the songs referenced in the documentary, including the solfège – singing the song with the names of the notes rather than the words in order to learn the music. The second disc of the set features 20 renditions of Sacred Harp tunes by a diverse group of folk and pop performers. The set is treated as two different albums, each with its own title. [more]
Although the box is given a distinctive design and theme, the contents are clearly pulled from the various sets and single releases previously made available by Acorn Media. It’s a little disappointing that they did not change the packaging of the contents to match, rather than making it appear to be an assortment of remainders marketed as something new. Luckily, it’s the contents that matter more than the packaging. [more]
Recently, I went digging through the archives of this blog to locate something I knew had to be there. I didn’t find it, and I suspect that has to do with things getting lost in the conversion from MovableType to WordPress. *sigh*
Anyway, I ended up reading some of the old link round-up posts I made back in the infancy of this blog, and it got me thinking about how much my approach has changed over time. For link blogging, I’ve started using a mix of Delicious bookmarks and Google Reader shared items, and for general “look at this crazy stuff” kinds of things, I use Twitter, FriendFeed, or Facebook.
What’s left for the blog? Well, short reflective pieces like this, for one. And, of course, there’s the conference session summaries and the “what I wrote for Blogcritics” round-ups. Other than that, I am finding that I have things that I want to write about, but I don’t have the time or energy to form them into anything worthy of public consumption.
Honestly, though, the main reason is that I’ve become rather lazy about the care and feeding of this blog. So, for the rest of this month, I’m going to try to write something here at least a few times each week.