This was the first conference I have attended in many years where I did not know hardly any of the other attendees. Aside from my two colleagues and three other attendees, I had little more than a passing conversation with no one else at the conference prior to my arrival in Cincinnati. So, the professional network re-connection aspect was not as prominent for me as it has been at other events. Unfortunately, my shyness also kicked in, which meant I was not as effective in building new connections as I could have been.
The hotel was impressive. The Hilton Netherland Plaza is a historic building in downtown Cincinnati. It opened in 1931 and is a National Historic Landmark, which means that despite the renovations, they have attempted to preserve as much of the original features as possible, including the impressive French Art Deco architecture and art in the main meeting rooms and restaurants. I somehow ended up in a room on the top floor (29th), and it even had a lovely view of the city rather than the typical office building exterior wall view that is most common in downtown hotels.
The sessions I attended were mostly informative, and I particularly liked the Five-minute Madness format — eliminated a lot of the stuff that irritates me in most presentations. However, in general, I was not as impressed with the sessions nor did I take away as much from them as I have from LITA sessions at ALA Annual & Midwinter. I’m not sure if it was the mix of people involved or the presentation topics, but it was a little disappointing. Unfortunately, my cold had kicked into high gear by Sunday, so I ended up skipping the last concurrent session and closing keynote in favor of walking around downtown Cincinnati for some fresh air and sunlight.
I’m glad I attended LITA Forum, because I have been wanting to go for several years now. However, I think that in the future my presence there will be only an occasional thing, most likely when it occurs in locations within driving distance. The technical and interactive side of librarianship that interests me is mostly covered by the sessions at Computers in Libraries, so I think I should expand my horizons to other aspects of librarianship with my valuable and precious conference attendance time and resources.
“As God is my witness, I thought turkeys could fly.”
Baby, did you ever wonder?
Wonder whatever became of me?
I’m livin’ on the air in Cincinnati.
I'm not sure when I first watched WKRP in Cincinnati. I was only two years old when the show first aired, so I'm pretty sure I didn't watch the original broadcasts until the later seasons and possibly not until it was in syndication, but it was definitely prior to the airing of The New WKRP in Cincinnati in the early 90s. All this is to say, I was pretty young when I was watching the show, so the details are perhaps more fuzzy for me than my older fellow fans.
This show was one of my favorites in the 80s. I don't remember why, but it could have been because I liked rock music and was fascinated with radio stations from a young age. Also, I felt like this was my TV show, since I lived in southern Ohio at the time. This is the perspective that I brought with me when I sat down to watch the recently released first season DVD set.
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Murder and mayhem on the coast of Maine
In 1984, TV viewers were introduced to Jessica Fletcher, mystery novelist and amateur sleuth. “Murder, She Wrote” ran for twelve years before going off the air in 1996, and the mark it left on the American public cannot be denied. Although the formulaic nature of the program and the disturbing volume of murders that occurred around the central character left it open to criticism from audiences eager for more hardboiled mysteries such as Law & Order and CSI, the show filled a niche for a generation that grew up on cozy mysteries by authors like Agatha Christie and Ellery Queen. The appeal has remained strong enough that twenty years after the original broadcast, Universal has released the second season on DVD.
There were few central characters besides Jessica Fletcher, so each episode had a handful of guest actors ranging from the very-well-known to never-seen-again. What does “Murder, She Wrote” have in common with early 1980s TV favorite “WKRP in Cincinnati”? WKRP actors Frank Bonner, Gordon Jump, Richard Sanders, and Howard Hesseman all appeared as guests in the second season of “Murder, She Wrote”. However, you wouldn’t know this from the episode descriptions on the box set. A full listing of guests can be found at the Internet Movie Database, if you’re interested. Some notables not mentioned include Brock Peters, Robert Culp, and John de Lancie. John Astin is in three episodes as a re-occurring character of note.
To me, this is indicative of the lack of care and attention paid to the creation of this box set. There are no extras or frills to entice buyers, and the episodes still have that slightly grainy quality prevalent in 1980s television filming. One must also be careful in handling the discs themselves. They are double-sided so as to hold eight episodes on two discs and six on the third disc.
One thing this collection has going for it is the script writing. Season two of “Murder, She Wrote” had the advantage of fresh ideas and mostly realistic plots. Locations alternated between Cabot Cove (Fletcher’s home) and someplace else. The murders were complex and the identity of the murderer wasn’t quite yet obvious from the start. The set is well worth getting if you’re a fan wanting to wander down memory lane and re-visit the show back in the golden years. Just don’t expect anything else from it.