reviews on blogcritics: october

October was a busy month for me. I went to my college reunion, battled with a cold and lower back pain, and attended a professional conference. The end result of this is that I didn’t do as much reviewing as I had planned on, and now I’m having to play catch-up. Expect to see a longer list for November, but for now, I give you:

Jessie Baylin – Firesight

The arrangements and production work on Firesight are both so well done that one hardly notices them. It’s simply a collection of good tunes that flow together well with an appropriate balance between the lead vocals and everything else. This is essential to making the album work, as anything that stands out as too rough or too glossy would immediately break the mellow mood. [more]

Theresa Andersson – Hummingbird Go!

It took a few listens before I began to appreciate the complexity and depth of Andersson’s music. It’s quirky and a bit more subdued that the assortment of rock-tinged pop that tends to be on regular rotation in my house. Putting away all other distractions and focusing on the album alone, I was able to hear the energy and drive of her performance that was not as apparent when approaching the recording casually. Andersson’s creative use of unorthodox instrumentation and unexpected arrangements need the listener’s full attention to be appreciated. [more]

Click and Clack’s As the Wrench TurnsClick & Clack – As the Wrench Turns

If the creators of Click & Clack were looking to achieve the success of shows like The Simpsons or The Family Guy, they have a great deal of room for improvement. Click & Clack: As the Wrench Turns may be enjoyed in small doses, but I would not recommend buying or renting this DVD unless you are a consummate NPR/PBS fan who must acquire everything put out by those media companies. [more]

Awake, My Soul – The Original Soundtrack / Help Me to Sing – Songs of the Sacred Harp

With the release of the two-disc soundtrack, we are treated with the full recordings of the songs referenced in the documentary, including the solfège – singing the song with the names of the notes rather than the words in order to learn the music. The second disc of the set features 20 renditions of Sacred Harp tunes by a diverse group of folk and pop performers. The set is treated as two different albums, each with its own title. [more]

Agatha Christie: Mystery Lover’s Collection

Although the box is given a distinctive design and theme, the contents are clearly pulled from the various sets and single releases previously made available by Acorn Media. It’s a little disappointing that they did not change the packaging of the contents to match, rather than making it appear to be an assortment of remainders marketed as something new. Luckily, it’s the contents that matter more than the packaging. [more]

reviews on blogcritics: July-September

Hey, there. I know it’s been a long time since we’ve seen each other, but I want to you know that I’ve been thinking about you while we’ve been apart. I’ve had a busy schedule this past month, and it has kept me away from you, at least in this forum, and I want you to know that I have missed you very much. I hope you can forgive me for being away so long.

Anyway, I wanted to share some of the things that I have written for Blogcritics in recent months:

The World Is Your Litter Box: A How-to Manual for Cats by Quasi, with Minor Help from Steve Fisher

This book is by no means a serious psychological study of cat behavior or cat-human relationships, but it does provide some insight into the latter. The main thing I took away from this book is that no matter what cats do to irritate humans, most of us easily melt into a puddle of mush when our pets show affection. Think of how much calmer rush hour could be if we all had a purring cat in our laps? [more]

Amy Ray – Didn’t It Feel Kinder

Even though Ray worked with some of the same musicians on Didn’t It Feel Kinder as she did for Stag and Prom, this album has a completely different feel to it. The message is the same, but the medium has shifted. Fans expecting a punk rock album may be disappointed, but I think that Didn’t It Feel Kinder will find its audience among listeners who enjoy the message as much as the medium. [more]

Alū – Lobotomy Sessions

Each of the ten tracks are what some have described as “cinematic soundscapes.” Think of them as an art house film told in three to five minutes. Horror, science fiction, political commentary, drama… whatever your movie type of choice, there is likely to be a track on this album that draws on elements of it. It’s a veritable film festival of sound. [more]

Uh Huh Her – Common Reaction

…don’t go looking for much depth in the lyrics. Although the insert devotes a full six panels to the poetry, it’s by far the weakest aspect of the album. Some of the more uninspired lines are held up quite well with the musical arrangements, so unless you’re paying close attention, you’ll be too distracted by the beats and melody to notice. In any case, it’s slightly better than the drivel on Top 40 radio. [more]

Cordero – De Dónde Eres

Past albums have featured a mix of English- and Spanish-language songs, but regardless of the language of the lyrics, the message was frequently delivered in packages spiced with horns and beats that made it impossible to sit still. De Dónde Eres heightens the Latin rhythms, instrumentation, and mood. Alternating between contemplative, strident, and festive arrangements, the album and the band are unified by Ani’s passionate lyrics and delivery. [more]

Awake, My Soul: The Story of the Sacred Harp (Standard Edition)

Most likely, the audience that will pick up this DVD will already be familiar with shape note singing. However, I think that anyone interested in Early American music should also take the time to view it. The filmmakers, both Sacred Harp singers themselves, have created a piece of work that, much like shape note music itself, is simultaneously utilitarian and glorious. [more]

The Age of Rockets – Hannah

Hannah is designed to be a palindrome of an album. The first five songs reflect the last five songs, with the middle sixth track creating the pivot point. Listening to an album that is half-music, half-mathematical art piece can sometimes be disappointing, but despite (or because of) this structure, Hannah stands on its own as a cohesive and fun collection of delicately blended electronic/organic tunes. Honestly, I hardly noticed the relationship between the songs in the dozen or so times I have listened to this album over the past couple of months. [more]

It’s the Great Pumpkin, Charlie Brown

Until watching it again in this remastered deluxe edition, it had never occurred to me that the film has a structure that allows for that kind of repeat showings. Several of the characters refer to Linus’ past obsession with the Great Pumpkin, and the implication that the same thing happens every Halloween makes it easy to suspend disbelief and watch it anew every year as though you weren’t already familiar with the plot and events. Maybe, just maybe, this year things will be different and the Great Pumpkin will rise out of the patch! [more]